Artist Statement
I define our current era as The Liquid Age where truth, alliances, and reality itself have become fluid. My work is a response to that dissolution.
Our world has become a horizontal plane of electronic distraction, disconnected from the archetypal patterns that once grounded human experience. People of the Stone, Bronze, and Iron Ages encoded their understanding of existence in pre-verbal symbols — cave paintings, petroglyphs, proto-alphabetic marks. These symbols aren't decoration or graffiti. They are patterns in the language of consciousness, the awareness of being alive in a world larger than ourselves.
Archetypes are the DNA of experience — the most elemental patterns of our existence. They center us, connect us, guide us. My sculptures are abstract figures emerging from these archetypal roots. They represent archetypal characters, qualities and situations. Genderless, multicolored, politically and religiously neutral, they are not illustrations of ideas. They are invitations to introspection and to the recognition that archetypes are our connection with the universal.
My process begins with mystery and stays there. Each character emerges through fifty or more exploratory sketches — not studies toward a predetermined form, but excavations. What if? What else? Why not? These questions guide the next sketch. When the archetype begins to appear, I move to three dimensions. Like a director working with an actor, I reshape the armature until the energy of the gesture, the attitude of the head, and the nuance of the hands tell the true story. This is a dialogue. I am not in control, but an active conduit. I have learned patience. Forcing my will doesn't work. When the character begins to speak, I listen, explore, and modify until we arrive somewhere neither of us could have reached individually.
I didn't arrive here alone. My influencers extend beyond my studio — Carl Jung's archetypes, Rene Magritte's unanswered questions, Isamu Noguchi's negative space, Rick Bartow's passionate vision, and the living wisdom of Native American shamanic tradition.
My sculptures are not objects. They are thresholds. Cross one with genuine curiosity and something shifts — an unexpected recognition, a conversation with the archetype itself. That shift, quiet and permanent, is life-affirming, something our Liquid Age cannot dilute.
“Night Passage” - Watercolor exploration of personal mythology.
“Trust” - Further exploration of personal mythology,