Why limit paintings to flat surfaces? Why limit sculptures to flat color? I paint sculptures. It’s not new. The Greeks did it. I combine paint, storytelling and a fascination with dimensional figures. I turn petroglyph-inspired characters into archetypal figures. It begins with pencil and watercolor sketches. Sketches become wire armatures - like line drawings in space. I reposition arms, legs, hips and heads until the character’s gesture works. It’s like the interaction between director and actor, exploring how each nuance amplifies their story. I cloak them in paint as a costume designer dresses actors to project their personalities.